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Advocacy Group Asserts to Have Scraped Millions of Music Files from Spotify

An activist organization has stated to have harvested millions of songs from the popular streaming service and is preparing to publish them publicly.

Potential Impetus for Artificial Intelligence Training

Observers noted the seeming data breach could aid artificial intelligence firms looking for material to train their technology.

A group called Anna’s Archive reported it had scraped 86 million audio tracks from Spotify and 256 million entries of associated data such as performer and album names. The company, which carries more than 100 million tracks, stated that the breach did not represent its entire inventory.

“We have located and disabled the nefarious user accounts that were involved in illegal scraping,” said a company representative.

The Stockholm-based service, which has more than 700 million users worldwide, added that an investigation into unauthorised access found a third party collected public metadata and employed illicit tactics to circumvent DRM [digital rights management].

Archive's Stated Goal and Worries

Spotify does not believe the audio taken by Anna’s Archive has been made public yet. Anna’s Archive, which is recognized for offering links to pirated books, wrote in a blog it wanted to create a ‘preservation archive’ for music.

The group asserted the audio files represented 99.6% of all music listened to by Spotify users and would be distributed via ‘torrents’, a method of sharing large digital files online.

“Naturally Spotify doesn’t have all the music in the world, but it’s a great start,” commented Anna’s Archive, which describes its mission as “safeguarding humanity’s knowledge and culture”.

AI Training and Copyright Battleground

Ed Newton-Rex for defending artists’ rights, said the breached music would likely be utilized for developing artificial intelligence systems.

“Educating models on pirated data is unfortunately widespread in the tech sector, so this accessed music is highly likely to be used instructing AI models,” he stated.

The group's website makes references to LibGen, a huge online archive of pirated books that has allegedly been leveraged by the parent company of Facebook to develop its AI models.

The co-founder of an AI startup posted on the professional network that individuals of the public could in theory “create their own personal free equivalent of Spotify”. He added it could also allow tech companies to “educate models on modern music at a large volume”.

Copyright has become a battleground between creatives, writers and content creators on one side and tech giants on the other.

Policy Proposals and Responses

In the UK, artists and writers have raised concerns against a ministerial proposal to let AI companies utilize copyright-protected work without consent unless the owner opts out. Almost every participant to a government call for evidence on the idea has backed artists’ apprehensions.

The secretary of state for technology, innovation and technology told parliament this month there was “no clear consensus” on the matter, noting that ministers would “take the time to get this correct”. The administration has committed to make regulatory plans on AI and copyright by March 2025.

The writer

Ann Cannon

Lena is a sociologist and writer passionate about exploring human behavior and societal dynamics through in-depth research and storytelling.

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